Most concert recordings are used for educational, archival, promotional, and non-commercial purposes. As long as your organization has obtained the appropriate rights to perform the music being presented, recordings and livestreams can typically be produced without issue. If you have questions about a specific work or performance, I’m happy to discuss the details before the concert.

Very little. Most directors provide the concert date, venue information, and the concert program. I handle the audio, cameras, recording, and post-production.

A camera at the back of the auditorium can document a performance, but it rarely captures the full musical experience. Professional concert recording combines dedicated audio engineering, multi-camera video production, and an understanding of live performance.

My background as a musician, audio engineer, video producer, and live event professional allows me to approach each concert from multiple perspectives. Every camera angle, microphone placement, and editing decision is made with the goal of accurately preserving the performance and representing the ensemble at its best.

The goal is not simply to record the concert, but to create a final product that reflects the quality, preparation, and artistry that went into the performance.

Yes. Most of my work takes place throughout Michigan. Travel beyond one hour from Otsego may affect pricing.

My recording system is completely self-contained, and I bring all necessary cameras, microphones, audio equipment, and cabling. Most venues require little to no preparation in advance.

All recordings are delivered digitally and can be downloaded, archived, shared with students and families, or used for promotional purposes according to your organization’s needs.

Standard recordings are typically delivered within 1–2 weeks. Premium productions generally require 2–8 weeks depending on the complexity of the project and the season.